对于印象派,尤其是雷诺阿和莫奈,风景画是对于重现眼中实际影象的尝试,试着创作对应的表现明亮的阳光的画.阴影所用的颜色是对实际物体颜色的补充,而不是灰色或黑色,总体的颜色应该被合并的邻近的颜色所软化.结果就会变成印象派画家的画变成关于光和气的画而不是实物.虽然他们打算画实物,但结果是画出丰富的颜色,用画的质感表现它的柔软,在环境中可能表现得扭曲.他们在抽象画上对今后的艺术家的鼓舞推动并不是偶然的.
英语翻译For the Impressionists,particularly Renoir and Monet,Lan
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